At the end of the 1960s, Canadian artists coalesced into collectives that ran parallel to established museum and gallery systems. Throughout the 1970s, these alternative spaces experimented with media such as printed matter as a means for artists to network nationally and internationally. As hybrid documents blending visual and textual expression, printed matter functioned simultaneously as information and as art. A constellation of relationships and revelatory practices can be traced through this material. Printed at Atelier d’estampe Imago, Moncton, New Brunswick.
Signed and Numbered Edition of 10