15 - 20 Jun. 2005
Art Basel 36
14 - 18 Jun. 2006
Art Basel 37
13 - 17 Jun. 2007
Art Basel 38
04 - 08 Jun. 2008
Art Basel 39
10 - 14 Jun. 2009
Art Basel 40
12 Jun. 2002
Art Basel 33
16 - 21 Jun. 2004
Art Basel 35
13 - 18 Jun. 2001
Art Basel 32
15 - 19 Jun. 2011
Art Basel 42
At this year’s Basel Art Fair, Art Metropole hosted book signings by AA Bronson (NYC/Toronto), Matthias Herrmann (Vienna), Allen Ruppersberg (NYC/LA), Luis Jacob (Toronto), and Maurizio Nannucci (Florence). We also launched our new catalogue featuring work by David Shrigley and our new shopping bag by Maurizio Nannucci. Art Metropole has attended the fair annually since 1976.
AA Bronson, born Michael Tims, Vancouver, British Columbia, Canada, 1946 -.
Luis Jacob was born in Lima, Peru, in 1970. Lives and works in Toronto.
Luis Jacob is a Toronto-based multimedia artist and curator concerned with notions of collectivity, and, increasingly, with acts of looking and meaning-making. Jacob studied semiotics and philosophy at the University of Toronto in the early 1990s, and he soon became immersed in local politics and club culture, as well as the art world, all three coming into play in his first decade of output, which often included experimentation with relational aesthetics. In 2005, Jacob showed Habitat at the Art Gallery of Ontario; this, among other things, piqued the interest of then-visiting Documenta 12 curators Ruth Noack and Roger Buergel, who included him in the 2007 event. Since then, Jacob has shown internationally and with great variety, focusing on found objects (his Album series, for instance, part of which is now owned by the Guggenheim Museum in New York) and the nature of the image. A touring retrospective of his work was hosted by Montrealâ€™s Darling Foundry and Torontoâ€™s Museum of Contemporary Canadian Art in 2010 and 2011.
Maurizio Nannucci was born in Florence on April 20, 1939. He studied at Florenceâ€™s Fine Art Academy and in Berlin before working for many years with experimental theater groups as a set designer. During the first half of the 1960s, he consolidated the basic elements of what would become his visual language by exploring the rapport between art, language, and image, and by creating the first Dattilogrammi, in which words reclaim their strength as symbols. At the same time he was in contact with Fluxus artists, developed an interest for visual poetry, and collaborated with the studio â€œS 2F Mâ€ (Studio di Fonologia Musicale, Florence) to produce electronic music. Nannucci focused on using the voice and words to produce sound installations.
In 1967, during his first solo exhibition at the Centro Arte Viva, Trieste, he presented his first neon light texts, thus emphasizing the temporary quality of writing and not the material quality of objects. In 1968 he founded the publishing house Exempla in Florence and Zona Archives Edizioni, both of which published books and catalogues on artists like Sol Le Witt, John Armleder, James Lee Byars, Robert Filliou, and Ian Hamilton Finlay. Nannucci believes that publications and multiples are themselves manifestations of a type of artistic practice that considers art a mental process, one that can be applied to the mass production of everyday objects in order to unify divergent threads in art. The art object may lose its uniqueness, but it gains presence and new freedom.
During the 1990s the artist renewed his interest in the relationship between work, architecture, and urban landscape by collaborating with the architects Auer & Weber, Mario Botta, Massimiliano Fuksas, and Renzo Piano. Some of his permanent installations can be seen at the Auditiorium of the Parco Della Musica and Fiumicino airport, both in Rome, and at the Bibliothek des Deutschen Bundestages, Berlin. Nannucci has been a featured artist at the Venice Biennale several times and has participated in Documenta, Kassel, and the SÃ£o Paulo, Sydney, Istanbul, and Valencia biennials. His work belongs to museum collections all over the world, including those of The Museum of Modern Art, New York; the Stedelijk Museum, Amsterdam; the Centre Georges Pompidou, Paris; and the Paul Getty Art Center, Los Angeles.
Shrigley was born in Macclesfield on 17 September 1968, the younger of two children born to Rita (nÃ©e Bowring) and Joseph Shrigley. He moved with his parents and sister to Oadby, Leicestershire, when he was two years old. He did the Art and Design Foundation course at the Leicester Polytechnic in 1987, and then studied Environmental Art at the Glasgow School of Art from 1988 to 1991.
Although he works in various media, he is best known for his mordantly humorous cartoons released in softcover books or postcard packs.
Shrigley finds humour in flat depictions of the inconsequential, the unavailing and the bizarre â€“ although he is far fonder of violent or otherwise disquieting subject matter. Shrigley’s work has two of the characteristics often encountered in outsider art â€“ an odd viewpoint, and (in some of his work) a deliberately limited technique. His freehand line is often weak, which jars with his frequent use of a ruler; his forms are often very crude; and annotations in his drawings are poorly executed and frequently contain crossings-out (In authentic outsider art, the artist has no choice but to produce work in his or her own way, even if that work is unconventional in content and inept in execution. In contrast, it is likely that Shrigley has chosen his style and range of subject matter for comic effect).
As well as authoring several books, he directed the video for Blur’s “Good Song” and also for Bonnie ‘Prince’ Billy’s “Agnes, Queen of Sorrow”. In 2005 designed a London Underground leaflet cover. Since 2005, he has contributed a cartoon for The Guardian’s Weekend magazine every Saturday. Other projects have included the album Worried Noodles (Tom Lab, 2007) where musicians interpret his writings as lyrics, including collaborations by David Byrne, Hot Chip, and Franz Ferdinand.
Shrigley co-directed an animate!-commissioned film with director Chris Shepherd called Who I Am And What I Want, based on Shrigley’s book of the same title. Kevin Eldon voiced its main character, Pete. He also produced a series of drawings and T-shirt designs for the 2006 Triptych festival, a Scottish music festival lasting for three to four days in three cities. He has also designed twelve different covers for Deerhoof’s 2007 record, Friend Opportunity.
Shrigley is a supporter of Nottingham Forest FC.
Shrigley is represented by Stephen Friedman Gallery, London and Yvon Lambert Gallery, Paris.
Jason Mraz took the name of his album We Sing. We Dance. We Steal Things. from a work by Shrigley.
In 2006, Shrigley’s first spoken-word album Shrigley Forced To Speak With Others was released by Azuli Records. In October 2007, Tomlab released Worried Noodles, a double-CD of artists including David Byrne, Islands, Liars, Grizzly Bear, Mount Eerie, R. Stevie Moore and Final Fantasy putting Shrigley’s 2005 book of the same name to music. Moore went on to record an entire album of new songs set to Shrigley’s Worried Noodles lyrics called Shrigley Field.
His spoken-word readings are used on the Late Night Tales series of recordings, with a track from Shrigley closing each album.
1: The booth is ready for the vernissage. Every year Art Metropole features a large amount of books, multiples, audio and video by Canadian artists, in addition to works by international artists. This year, Art Metropole was pleased to represent C International Contemporary Art magazine, published in Toronto, Canada. Note also the bright yellow Art Metropole shopping bags designed by Maurizio Nannucci (Florence) featuring the text: "Not More Than Fifty Thousand Tourists Have Visited The Antarctic.".
3: Dave shows a publication to a customer. This year we featured multiples by artist James Carl. On the pedestal (center) is CarlÂ¹s multiple, Skill (2003) (on loan from Galerie Haus Schneider, Ettlingen, Germany).
4: Staff member Dave Dyment (left) with artist AA Bronson, who was on hand to meet with customers and sign books and editions.
5: Artist Olivier Millagou models a FETISH t-shirt.
6: Hildegard Spielhoffer, of Tweek Lab, models the new Maurizio Nannucci shopping bag.