Over the course of two years, from 2012 to 2014, ‘Moderation(s)’ saw a sprawling ecology of artists, curators, and writers gather around different formats of inhabitation, production, and exhibition making. Essays were viewed as works of fiction, language as image, sculpture as situation. An extension of this approach, ‘End Note(s)’, focuses on interpretations of and reflections on what has been said and what has been done during ‘Moderation(s)’.