Events > Publication Launch

16 Aug. 2006

Publication launch for They Shoot Homos Don't They? 003

Artists
Matthias Herrmann, Miles Collyer, Bruce LaBruce, and Paul Mpagi Sepuya

Art Metropole was please to host a publication launch for the third edition of the Australian gay zine They Shoot Homos Don’t They? The evening also afforded the chance for Art Metropole to welcome new Board Members and Lifetime Members.

They Shoot Homos Don’t They? is a high quality zine that is postmodern to the hilt with its full frontal “fuck you.” There is no place in here for overly sensitive pansies, rather the contributors of TSHDT are uniquely aware of post-punk skepticism and renunciation of any ultimate truth. The Australian ultra high quality gay zine returns for its third installment with the theme of Brotherhood. Among the dozen contributions: inteviews with and photos by: Matthias Herrmann, Bruce LaBruce, Paul Mpagi Sepuya and Art Metropole’s own Miles Collyer. Included is the TSHDT _CD Compendium 0002, 17 or 18 tracks suitible for for _TSHDT‘s renound ‘Witness Protection Program Social Club’ parties, titles like ‘The Golden Rod’ and ‘Break Dance Hunx’ let you know what you’re getting.


Miles Collyer (born, 1983 in Toronto) is a visual artist whose practice is motivated by photo-based sources and issues relating to cultural identity. He studied at the Ontario College of Art & Design where he was the recipient of several academic scholarships and awards before graduating with a BFA in photography in 2006. After completing his undergraduate studies Collyer has gone on to receive further grants and awards for his work, most notably a Gold medal in 2008 from the Canadian National Magazine Awards in the category of Best Art Direction for a Single Magazine Article. His work has been widely published and exhibited across Canada, the United States, Australia, Switzerland, Germany and several curated exhibits online.

Bruce LaBruce is a Toronto based filmmaker, writer, director, photographer, and artist. He began his career in the mid eighties making a series of short experimental super 8 films and co-editing a punk fanzine called J.D.s, which begat the queercore movement. He has directed and starred in three feature length movies, No Skin Off My Ass (1991), Super 8 1/2 (1994), and Hustler White (1996). More recently he has directed two art/porn features, Skin Flick(2000)(hardcore version: Skin Gang) and The Raspberry Reich (2004)(hardcore version: The Revolution Is My Boyfriend), and the independent feature Otto; or, Up with Dead People (2008). After premiering at Sundance and Berlin, “The Raspberry Reich” took off on the international film festival circuit, playing at over 150 festivals, including the Istanbul, Guadalajara, and Rio de Janeiro International Film Festivals. He was also honoured with retrospectives at the end of ’05 at the Madrid and Hong Kong Gay and Lesbian Film Festivals. Otto; or, Up with Dead People also debuted at Sundance and Berlin and played at over 150 film festivals, culminating in a screening at MoMA in New York City in November of 2008. His new film, L.A. Zombie, starring French star Francois Sagat, premiered in competition at the Locarno International Film Festival in August, 2010. It will have it’s French premier at the L’Etrange Film Festival in Paris and its North American premier at the Toronto International Film Festival in Septemer. 2010. The hardcore version, L.A. Zombie Hardcore, will be released at Halloween, 2010.

LaBruce has written a premature memoir entitled The Reluctant Pornographer, from Gutter Press. The Plug-In Gallery in Winnipeg, Canada published a book on LaBruce’s work, Ride Queer Ride, in 1998. In the past several years, LaBruce has written and directed three theatrical productions. Cheap Blacky (2007) and The Bad Breast; or, The Strange Case of Theda Lange (2009) were both produced at the Hau 2 and featured Susanne Sachsse and Vaginal Davis. Macho Family Romance (2009), commissioned by Theater Neumarkt in Zurich, also featured Ms. Sachsse and Ms. Davis. LaBruce was a contributing editor and frequent writer and photographer for Index magazine, and he has also been a regular contributor to Eye and Exclaim magazines, Dutch, Vice, the National Post, Nerve.com. and Black Book. He was also formerly a frequent photographer for the US porn mags Honcho and Inches, and has recently contributed to Butt, Kink, Jack, Currency, Kaiserin, and Slurp. As a fashion photographer he has contributed stories to such magazines as Dazed and Confused, Bon, Tank, Tetu, Fake, Attitude, Blend, Tokion, Purple Fashion, and the National Post.

LaBruce had his first solo show of photographs presented by the Alleged Gallery in New York in December 1999. He has had subsequent solo exhibits of his photographs at the Pitt Gallery in Vancouver, MC MAGMA in Milano, Italy, Bailey Fine Arts Gallery in Toronto, Peres Projects in San Francisco, and at John Connelly Presents in New York. His show Heterosexuality Is the Opiate of the Masses opened on July 16th/05 at Peres Projects in Los Angeles. In July/06 he mounted Polaroid Rage: A Survey of Polaroids, 2000-2006 at Gallery 1313 in Toronto. He has also participated in numerous group shows. In October of 2006 he was the featured artist at the Barcelona International Erotic Festival. His latest solo shows include Untitled Hardcore Zombie Project, which opened at Peres Projects in Culver City, LA, on May 23rd, 2009, and L.A. Zombie: The Movie That Would Not Die, which premiered at Peres Projects Berlin on January 30th, 2010. LaBruce has also made a number of popular music videos in Canada, two of which won him MuchMusic video awards.

Paul Mpagi Sepuya (1982, San Bernardino, CA) lives and works in Brooklyn, New York. He studied photography and imaging at New York University’s Tisch School of the Arts. His work has been exhibited nationally and internationally in New York, Los Angeles, Basel, Sydney, Toronto, Paris, Berlin and Hamburg. His work has been featured and reviewed in The New Yorker, The New York Times, Interview, SLEEK, Capricious, V, HUNTER, Paper, and BUTT, among other publications. Awards include the Lower Manhattan Cultural Council’s Workspace Residency (2009-2010) and Artist-in-Residence at the Center for Photography at Woodstock (2010), and Artist-in-Residence at the Studio Museum in Harlem (2010-2011). His most recent artist publication, STUDIO WORK, was published in 2012 and the related body of work has been exhibited at The Studio Museum in Harlem, New York City, The Center for Photography at Woodstock, NY, Franklin Art Works, Minneapolis, and Artspeak, Vancouver.

Images

1: Gerlad Hannoh, Shannon Micheal Cane, Rick Bebout and Miles Collyer.
2: Kate Monro, Kian Reilly-Monro.
3: Rick Bébout, Miles Collyer and guest.
4: Rick Bébout, Miles Collyer, guest with "Fly".
5: Crowd enjoying the scene.
6: Shannon Michael Cane and Andrew Zealley.
7: Works on display.
8: Rick Bébout, Andrew Zealley and Shannon Michael Cane.
9: Guests mingling.
10: Posters of J.D. Samson.

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