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Fillip Issue No. 18

17 × 24.5 × 1 cm

The Spring 2013 issue of Fillip continues Apparatus, Capture, Trace, a series edited by Kate Steinmann examining the links between biopolitics and photography. For this issue, Martha Langford investigates Vladimir Putin’s use of staged official state photography and Ahmad Hosni writes on the role of Facebook within the Egyptian revolution of January 2011.

Fillip 18 also features a special section on art and labour guest edited by Gabrielle Moser. Operating as an extension of the discussions about the financial and labour conditions of contemporary art, Always Working invites the critic and historian Sven Lachtticken and the artist Natascha Sadr Haghighian to reflect on the conditions under which artistic labour is made to appear or disappear.

Also in Fillip 18

Bassam El Baroni in conversation with Hassan Khan

Chris Sharp on Artistic Withdrawal

Matthew Buckingham and David Harvey on Creative Destruction

Oraib Toukan on Art Education in Palestine

Alexander R. Galloway and Mohammad Salemy on Interfaces

Vanessa Nicholas on Oh, Canada

Willem de Rooij in conversation with Anna-Sophie Springer

Plus: Petra Stavast portfolio and Slide Shows art publishing insert


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