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#10877
Fillip Issue No. 18
- Date
- 2013
- Publisher
- Fillip
- Format
- Periodicals
- Size
- 17 × 24.5 × 1 cm
- Length
- 148
The Spring 2013 issue of Fillip continues Apparatus, Capture, Trace, a series edited by Kate Steinmann examining the links between biopolitics and photography. For this issue, Martha Langford investigates Vladimir Putin’s use of staged official state photography and Ahmad Hosni writes on the role of Facebook within the Egyptian revolution of January 2011.
Fillip 18 also features a special section on art and labour guest edited by Gabrielle Moser. Operating as an extension of the discussions about the financial and labour conditions of contemporary art, Always Working invites the critic and historian Sven Lachtticken and the artist Natascha Sadr Haghighian to reflect on the conditions under which artistic labour is made to appear or disappear.
Also in Fillip 18
Bassam El Baroni in conversation with Hassan Khan
Chris Sharp on Artistic Withdrawal
Matthew Buckingham and David Harvey on Creative Destruction
Oraib Toukan on Art Education in Palestine
Alexander R. Galloway and Mohammad Salemy on Interfaces
Vanessa Nicholas on Oh, Canada
Willem de Rooij in conversation with Anna-Sophie Springer
Plus: Petra Stavast portfolio and Slide Shows art publishing insert
Related Items
- Art Metropole
- 896 College St
- Toronto, Ontario
- M6H 1A4 Canada
- +1 416 703 4400
- Hours:
- Tuesday to Sunday
- 11AM to 6PM
Art Metropole is a non-profit artist-run centre established 1974 as a division of Art-Official Inc. We are grateful for the support of the Canada Council for the Arts, the Ontario Arts Council, the City of Toronto through the Toronto Arts Council, as well as our donors, members and volunteers.
Your donation assists in the development of contemporary art practices and programs for the general public. Art Metropole is certified by the Ontario Living Wage Network.
- Toronto Arts Council
- Ontario Trillium Foundation
- Canada Council
- Ontario Arts Council
