Formats
Anthologies
110
Audio
289
Catalogues
350
Clothing
24
Editions
29
Ephemera
57
Literary
46
Monographs
167
Posters
257
Video
40
Zines
146

Shop > Catalogues

Out of Stock
#14755

Publishing as Practice

Date
2019
Publisher
Inventory Press
Format
Catalogues
ISBN
9781941753408
Size
19.7 × 26 cm
Length
176 pp
Genre
Books on Books
Description

Publishing as Practice centers on the work of three contemporary artists/book publishers who have developed fresh ways of broaching the political in publishing.

This book documents a residency program at Ulises—a curatorial platform based in Philadelphia—that explores publishing as an incubator for new forms of editorial, curatorial and artistic practice. Over the course of two years, three participants (Hardworking Goodlooking, Martine Syms/Dominica, and Bidoun) activated Ulises as an exhibition space and public programming hub, engaging the public through workshops, discussions, and projects.

Hardworking Goodlooking is a design and publishing imprint working primarily out of the Philippines. Dominica is an imprint run by artist Martine Syms dedicated to exploring Blackness as a topic, reference, marker, and audience in visual culture. Bidoun, a non-profit organization and magazine, focuses on art and culture from the Middle East and its diasporas. Each organization approached their residency at Ulises in a unique way, bringing a new understanding of what it means to practice publishing.

Edited by Kayla Romberger, Gee Wesley, Nerissa Cooney, Lauren Downing, and Ricky Yanas, Publishing as Practice features a preface by David Senior, Head of Library and Archives at the San Francisco Museum of Modern Art, and Ulises Carrión’s 1975 publishing manifesto “The New Art of Making Books.” Publishing as Practice also includes writing from Clara Balaguer, Hardworking Goodlooking, Martine Syms/Dominica, Bidoun, Lauren Downing, Kayla Romberger, and Gee Wesley alongside interviews, excerpts, and documentation from each residency.

  1. Publishing as Practice
 

Related Items

  1. Micah Silver: Figures in Air
  2. David Reinfurt: A New Program for Graphic Design
  3. Rob Van Leijsen: Copy, Tweak, Paste: Methods of Appropriation in Re-enacted Artists’ Books
  4. Public Collectors
  5. Sarah Sze: Timekeeper
  6. Uncovering Artists’ Books
  7. Hilma af Klint
  8. Tila L. Kellman and Michael Snow: Figuring Redemption: Resighting myself in the art of Michael Snow
  9. Kathryn Yusoff: A Billion Black Anthropocenes or None
  10. Dick Higgins: A Something Else Reader
  11. Copy This Book: An Artist’s Guide to Copyright
  12. Nathalie Zonnenberg: Conceptual Art in a Curatorial Perspective
  13. Paul Chan: 2000 Words
  14. David Maroto: The Artist’s Novel – Part 2: The Fantasy of the Novel
  15. Keith Haring: Manhattan Penis Drawings for Ken Hicks
  16. Jason De Haan and Miruna Dragan: The Wood and Wave Each Other Know
  17. Colin Campbell and Jon Davies: More Voice-Over: Colin Campbell Writings
  18. Bernhard Cella: Covers
  19. Meschac Gaba
  20. Sarah Sze: Centrifuge
  21. Image Bank
  22. Olafur Eliasson: Reality Projector
  23. Jim Shaw: The Wig Museum
  24. Peter Fischli and David Weiss: House
  25. Kapwani Kiwanga: Off-Grid
  26. Mitch Robertson: 5,6,7 Economies of Good & Evil
  27. Andrea Andersson, Tina Campt, and Troy Montes-Michie: Rock of Eye
  28. Mark Cheetham: Landscape Into Eco Art
  29. Creating Worlds Otherwise
  30. Katya García-Antón, Harald Gaski, and Gunvor Guttorm: Let the River Flow: An Indigenous Uprising and its Legacy in Art, Ecology and Politics
  31. Hank Bull, Serge Guilbaut, Joni Low, and Pan Wendt: Hank Bull: Connexion
  32. Navid Nuur: The Value of Void
  33. Nichola Feldman-Kiss: witness | témoin
  34. Ron Benner: Gardens of a Colonial Present
  35. Robert Barry, Stanley Brouwn, Daniel Buren, and Lawrence Weiner: From Concept to Context
  36. Andrew Dadson: Cuneiform; Lynn Valley #10