The occasions for public remorse have recently multiplied and radically changed. The appalling crimes and catastrophes of the past century-with the Holocaust and Hiroshima at its centre-established a double whammy of post-modern anxiety. Sorry is a catalogue of an exhibition where Busby’s subjects publically apologize for their wrongs. Almost entirely white men with a sprinkling of women and people of colour, their trembling lips and media frenzied “sorry’s” are profoundly and neatly compacted in this book.