Shop > Artists' Books

Out of Stock
#05000

Collage Culture

Date
2011
Publisher
JRP / Ringier Kunstverlag
Format
Artists' Books
Details
Softcover
ISBN
978-3-03764-119-4
Size
15.9 × 22.9 × 0.5 cm
Length
96 
Description

Collage, which began as an art meant to confound the brain with its disparate components, has jumped the flat surface, so that almost all musicians, designers, writers and bloggers might today be described as collage artists. “Collage Culture” contains two essays, buttressed by artworks and vividly typeset by Brian Roettinger.

The first essay, by Mandy Kahn, chronicles collage’s original forays into the realms of music, fashion, design, literature and architecture, with special attention paid to the birth and rise of sampling and mash-up in music. It will postulate why collage has become the it-expression of the new century, with an exploration of how the previous five decades in particular were, culturally, each a reaction against what preceeded them. The second, by Aaron Rose, examines how our current subcultural aesthetic is an amalgamation of those from movements of the 20th century, incorporating visual aspects from punk, new wave, the beats, and the hippie movement, but only externally—so that meaning, politics and message have been neutered out. What we’re left with is a collage of visual references without the guts they once had, and a generation of kids wearing clothes that express their common dissent, but without knowledge of what they are against—or, more importantly, what they are for.

An additional section of sixteen color pages includes original works of art created especially for the book by graphic designer Brian Roettinger, who, with the help of artist/programmer Chandler McWilliams, compiled 25 rules for collage-making and translated those rules into a computer application. The sixteen collages produced by the application make up the book’s center section.

W+T 2

  1. Collage Culture
 

Related Items

  1. Dan Graham: Nuggets: New and Old Writing on Art, Architecture, and Culture
  2. Igor Zabel: Contemporary Art Theory
  3. Paul McCarthy: Rebel Dabble Babble
  4. Jon Beacham: The Brother in Elysium - Artwork and Publications 2008-2013
  5. Pascal Gielen: No Culture, No Europe
  6. Cabinet Magazine: Issue 54
  7. Robert Seydel: A Picture is Always a Book
  8. Cory Arcangel: All the Small Things
  9. Péter György: The Two Kassels
  10. John Massey: Black On White
  11. Andrew Dadson: Visible Heavens from 1850 - 2008
  12. Derek Knight, Catherine Parayre, and Shawn Serfas: Latitudes
  13. Chris Foster: New Civilizations
  14. Carl David Rutton: Global Strategy
  15. Marina Roy: Sign after the X
  16. Johannes Wohnseifer: Lynn Valley 2: Kleenex Mathematics
  17. Brandon Downing: Mellow Actions
  18. Kay Higgins, Myfanwy MacLeod, and Lisa Robertson: The Undesirables
  19. Francesca Vivenza: Terra Cotta
  20. Oliver Sieber: Character Thieves
  21. Tasman Richardson: Objects In Mirror
  22. Casco Issues #7: Democratic Design II
  23. Ian Wallace: The First documenta, 1955
  24. Notes on Georg Simmel’s Lessons, 1906/07, and on a “Sociology of Art,“ c. 1909
  25. Erkki Kurenniemi
  26. Christoph Menke: Aesthetics of Equality
  27. Jalal Toufic: Reading, Rewriting Poe’s “The Oval Portrait“
  28. G.M. Tamás: Innocent Power
  29. Paul Ryan: Two Is Not a Number, A Conversation with Ayreen Anastas and Rene Gabri
  30. Kenneth Goldsmith: Letter to Bettina Funcke
  31. David Robbins: Concrete Comedy: An Alternative History of Twentieth-Century Comedy
  32. Angela Bulloch: Source Book 10
  33. Source Book 5 / 2008 Geoffrey Farmer
  34. Making Art Global, Part 1

The Third Havana Biennial 1989
  35. Animal Spirits
  36. The New Public