Formats
Anthologies
105
Audio
310
Catalogues
410
Clothing
23
Editions
31
Ephemera
68
Literary
38
Monographs
179
Posters
269
Video
39
Zines
142

Shop > Monographs

Out of Stock
#14219

Comradeship: Curating, Art, and Politics in Post-Socialist Europe

Date
2019
Publisher
Independent Curators International
Format
Monographs
Size
14 × 20.5 × 2.5 cm
Length
335 pp
Genre
Art History, Criticism, Politics
Description

This is the third book in the PERSPECTIVES IN CURATING series, which offers timely reflections by curators, artists, critics, and art historians on emergent debates in curatorial practice around the world.

Comradeship is a collection of essays by Zdenka Badovinac. Badovinac has been an influential voice in international conversations rethinking the geopolitics of art after the fall of communism, a ferocious critic of unequal negotiations between East and West, and a historian of the avant-garde art that emerged in socialist and post-socialist countries in the last century. She has been, moreover, an advocate for radical institutional forms: museums responsive to the complexities of the past and commensurate to the demands of the present.

Gathering writings from disparate and hard-to-find sources alongside new texts, this book offers an essential portrait of a major thinker, and a crucial handbook of alternative approaches to curating and institution-building in the 21st century.

Edited by J. Myers-Szupinska
Foreword by Kate Fowle

Soft cover, perfect-bound, b/w.

  1. comrade cover
  2. comrade interior
Images:12
 

Related Items

  1. Adam Lauder: Out of School: Information Art and the Toronto School of Communication
  2. Valeriya Luk’yanets and Kateryna Nosko: Where Curating Is
  3. Sonja Ivekovic and Ruth Noack: Sanja Ivekovic: Triangle
  4. Kristian Handberg: Conquering the Present in the Long Sixties
  5. Stan Douglas: Abbott & Cordova, 7 August 1971
  6. Adriano Pedrosa and Tomás Toledo: Afro-Atlantic Histories
  7. T&T: Onward Future
  8. Aime Iglesias Lukin: This Must Be the Place: An Oral History of Latin American Artists in New York, 1965-1975
  9. Cécile B. Evans, Cao Fei, Elsa Himmer, Lynn Hershmann Leeson, Shana Moulton, Heike Munder, Paul B. Preciado, Frances Stark, Wu Tsang, Anna Uddenberg, VNS Matrix, Yvonne Volkart, Joanna Walsh, Guan Xiao, and Anicka Yi: Producing Futures
  10. Neue Slowenische Kunst: NSK from Kapital to Capital
  11. Colin Campbell and Jon Davies: More Voice-Over: Colin Campbell Writings
  12. Katya García-Antón, Harald Gaski, and Gunvor Guttorm: Let the River Flow: An Indigenous Uprising and its Legacy in Art, Ecology and Politics
  13. Tom Lloyd: Black Art Notes
  14. Beatrice von Bismarck: The Curatorial Condition
  15. Leo Amino, Minoru Niizuma, and John Pai: The Unseen Professors
  16. Kevin Schmidt
  17. Kaari Upson: 2000 Words
  18. Arnaud Gerspacher: The Owls Are Not What They Seem: Artist as Ethologist
  19. Abigail Solomon-Godeau: Photograph at the Dock
  20. Lex Morgan Lancaster: Dragging Away: Queer Abstraction in Contemporary Art
  21. Mary Kavanagh - Daughters of Uranium
  22. WRITTEN ON THE WIND: Lawrence Weiner Drawings
  23. Parkett #74
  24. Jan Wade: Soul Power
  25. Jeff Wall
  26. AA Bronson’s House of Shame
  27. Nathalie Zonnenberg: Conceptual Art in a Curatorial Perspective
  28. Paul Chan: 2000 Words
  29. Jennifer Allora, Andrea Bowers, Guillermo Calzadilla, Elvira Dyangani Ose, Dominique Gonzalez-Foerster, Joan Jonas, Stefan Kaegi, Philippe Rahm, and Lucy Raven: Resource Hungry: Our Cultured Landscape and its Ecological Impact
  30. Sophie Richard: Unconcealed: The International Network of Conceptual Artists 1967-1977
  31. Max Haiven and Cassie Thornton: The Hologram
  32. Sarah Lucas and Amna Malik: Sarah Lucas: Au Naturel
  33. Bas Jan Ader and Jan Verwoert: Bas Jan Ader: In Search of the Miraculous
  34. Edith Heath: Philosophies
  35. Marc Camille Chaimowicz and Tom Holert: Marc Camille Chaimowicz: Celebration? Realife
  36. Liisa-Rávná Finbog and Katya García-Antón: Čatnosat. The Sámi Pavilion, Indigenous Art, Knowledge and Sovereignty
  37. Gerry Schum
  38. On Whiteness: The Racial Imaginary Institute
  39. Tim Carpenter: To Photograph Is to Learn How to Die
  40. Irene Bindi, Stephen Broomer, and Rhayne Vermette: Exovede in the Darkroom: The Films of Rhayne Vermette