Shop > Catalogues

Out of Stock
#14247

Altered States: Substances in Contemporary Art

Editor
Milena Mercer
Date
2018
Publisher
Hatje Cantz
Format
Catalogues
Size
20 × 24.5 cm
Length
320 pp
Genre
Theory, Catalogue
Description

People have always consumed substances for purposes other than nutrition – for healing, for intoxication, to expand the consciousness, in religious rituals, for self-optimization, in protest or out of boredom. The changing categorization of a substance – whether as a pharmaceutical, drug, hormone, or doping agent – suggests that this differentiation has less to do with the effects or dangers of a substance. Rather, hidden behind individual attitudes toward substances, you find an entire social history shaped by questions of race, gender, class, and economic interests. This international group show presented twelve artistic positions that approach the topic through photography, video, sculpture, installation, and performance. The exhibition critically questions the societal view and handling of substances, and sheds a light on global consequences as well as future potentials.

The essays from the interdisciplinary conference examine the topic from the viewpoint of, among others, criminology, psychology, art history, philosophy, neuroscience, and sexology. They ask questions about the effects and potential of various substances, their societal context as well as the associated individual and collective responsibility. The latest (natural) scientific knowledge is linked with central ethical questions.

  1. Altered States
 

Related Items

  1. Image Bank
  2. Elizabeth A. Povinelli: Routes/Worlds
  3. Gareth Long: Kidnappers Foil
  4. Berit Jensen: Relative States of Horror Vacui
  5. Dan Starling: Unsettled Histories
  6. Dara Birnbaum: Note(s): Work(ing) Process(es) Re: Concerns (That Take On / Deal With)
  7. Carmen Winant: The Last Safe Abortion
  8. Hotel Theory Reader
  9. Stephen Shore: American Surfaces
  10. Ian Wallace: The First documenta, 1955
  11. Notes on Georg Simmel’s Lessons, 1906/07, and on a “Sociology of Art,“ c. 1909
  12. Erkki Kurenniemi
  13. Christoph Menke: Aesthetics of Equality
  14. Jalal Toufic: Reading, Rewriting Poe’s “The Oval Portrait“
  15. G.M. Tamás: Innocent Power
  16. Paul Ryan: Two Is Not a Number, A Conversation with Ayreen Anastas and Rene Gabri
  17. Péter György: The Two Kassels
  18. Kenneth Goldsmith: Letter to Bettina Funcke
  19. Robert Longo: Stand
  20. A Man Walks into a Bar...
  21. Sidsel Meineche Hansen and Tom Vandeputte: Politics of Study
  22. Donal McGraith: Leaving No Mark: Prolegomena to an Evanescent Art
  23. Joan Jonas: In the Shadow a Shadow
  24. Meschac Gaba
  25. Peter Fischli and David Weiss: House
  26. Susan Schuppli: Material Witness: Media, Forensics, Evidence
  27. General Idea: Ecce Homo
  28. Roberto Cuoghi: Putiferio
  29. Nadia Belerique, Tom Engels, Ruba Katrib, Nicolaus Schafhausen, Claire Shea, and Studio Markus Weisbeck: Nadia Belerique: Body In Trouble
  30. Dominique Fontaine and Miguel A. López: Precarious Joys
  31. Georgiana Uhlyarik  and Wanda Nanibush: Toronto: Tributes + Tributaries, 1971-1989
  32. Marisol de la Cadena, Miguel A. López, Camila Marambio, José de Nordenflycht, Elizabeth A. Povinelli, Cecilia Vicuna, and Catherine de Zegher: DREAMING WATER A RETROSPECTIVE OF THE FUTURE (1964-...)
  33. Douglas Gordon
  34. David Beattie: The Weight of the Sky
  35. Tila L. Kellman and Michael Snow: Figuring Redemption: Resighting myself in the art of Michael Snow
  36. Marina Roy: Sign after the X
  37. Paul Chan: 2000 Words
  38. Peter MacCallum: Documentary Projects 2005 - 2015
  39. Nathalie Zonnenberg: Conceptual Art in a Curatorial Perspective
  40. Georges Perec and Mara Cologne Wythe-Hall: Wishes