The work of Angela Grauerholz occupies an important place in Canadian and international photography. From the 1980s on, her search to redefine the art of photography has taken various forms including portraits and interior and exterior scenes with or without people. This retrospective publication covers twenty years of production and highlights Grauerholz’s major photographic and installation works. Three critical essays discuss the work in relation to time, memory and representation.
Second hand publication. Signed by the artist and addressed to the previous owner of the book.