Prefix Photo Issue 40
Fall/Winter 2019
Tourism Ecologies
Editorial:
Tourism Ecologies
by Scott McLeod
Essays:
Curatorial Reflections on Nadia Myre’s Listen, speak and sing
by Betty Julian
“I am rooted, but I flow”: Art, Tourism and the Bonavista Biennale
by Scott McLeod
Emanuel Licha’s War Tourist and Other Works
by Anja Bock
Literary Feature:
The Stone Speakers
by Igor Drljača
Artist’s Project:
Here, Not Here
by Micah Lexier
Artist’s Multiple:
Apparent Horizon
by Nadia Myre
Portfolios:
Looking North
by Jessica Auer
Selected works
by Nadia Myre
Modelling Memory: Fact, Imagination and Maritime Model Ships
by Katherine Knight
Me’ki’tetmek na Maqmikewminen
by Meagan Musseau
Selected works
by Sean Patrick O’Brien
The Afronautic Research Lab
by Camille Turner
The Quoddy Fold
by Paulette Phillips
Post Cards from Fort McMurray
by Allison Rowe
Selected works
by Emanuel Licha
Ðiện Biên Phủ
by Adrien Siberchicot
The Stone Speakers
by Igor Drljača
Book Reviews:
Engendering an Avant-Garde: The Unsettled Landscapes of Vancouver Photo-Conceptualism
by Leah Modigliani
Reviewed by Julia Polyck-O’Neill
Moyra Davey
Introduction by Brian Sholis, conversations by Élisabeth Lebovici and Ben Lerner, texts by Moyra Davey and Eric Rosenberg
Reviewed by Alex Borkowski
Migrating the Margins: Circumlocating the Future of Toronto Art
by Emelie Chhangur and Philip Monk
Reviewed by Laura Demers
John Akomfrah: Signs of Empire
Edited by Thea Ballard with Dana Kopel
Reviewed by Rebecca Travis
Additional Features:
Profiles
Newsbriefs
Contributors
Epilogue