Prefix Photo Issue 41
Spring/Summer 2020
Latent Images
Editorial:
Latent Images
by Scott McLeod
Essays:
Red to the Core: The Work of Barbara Astman
by Georgiana Uhlyarik
Absent Bodies and the Empty Space of the Image: Reframing the Family Photograph in Gustavo Germano’s Ausencias
by Dot Tuer
Photo Essay:
Palimpsest: Layered Histories in the Lost Territories Archive of the Sputnik Photos Collective
by Bonnie Rubenstein
Portfolios:
Testnegativ
by Marco Buonocore
The Stranger’s Notebook
by Dawit L. Petros
Portraits and Conversations with Empty Vessels
by Barbara Astman
Ausencias Argentina
by Gustavo Germano
Appendix 137
by Walid Raad
Lost Territories Archive
by Sputnik Photos
The One Pixel Camera: Copy Work
by Dave Kemp
Book Reviews:
Zones de guerre
by Jocelyne Saab
Reviewed by Jesse Cumming
How to Make Art at the End of the World: A Manifesto for Research-Creation
by Natalie Loveless
Reviewed by Justine Kohleal
Peripheral Vision(s)
Edited by Rhéanne Chartrand and Gerald McMaster
Reviewed by Rebecca Travis
Other Places: Reflections on Media Arts in Canada
Edited by Deanna Bowen
Reviewed by Eva Lu
Additional Features:
Profiles
Newsbriefs
Contributors
Epilogue