Shop > Monographs

#16705

Designing History: Documents and the Design Imperative to Immutability

Writer
Chris Lee
Set Margins
Price
$37.50
Date
2025
Publisher
Set Margins
Format
Monographs
ISBN
9789083404103
Size
16 × 24 cm
Length
126 pp
Genre
Design
Description

On graphic design’s complicity in power and what can be done to transform the field.

Moving beyond the usual forms endemic to the graphic design canon, Designing History studies bureaucratic instruments such as money, passports, certificates, property deeds and more. Such documents produce identity, assign ownership and ascribe value. They stabilize claims, memory and knowledge that would otherwise be vulnerable to contestation or obliteration. Despite their apparent banality, such documents are perhaps graphic design’s most profoundly consequential forms. This book is the revised edition of Immutable: Designing History (2022). It includes an extended essay that contextualizes the project as one concerned primarily with prompting a remapping of graphic design’s historical and practical assumptions.

Chris Lee is a graphic designer and educator based in Brooklyn. His practice explores graphic design’s entanglement with capitalism and colonialism through the genre of the document. He is Assistant Professor in the Undergraduate Communications Design Department at Pratt Institute.

  1. 9789083404103
 

Related Items

  1. Ruben Pater: CAPS LOCK: How Capitalism Took Hold of Graphic Design, and How to Escape from It
  2. Design History Reader
  3. Chris Curreri
  4. Design Struggles: Intersecting Histories, Pedagogies, and Perspectives
  5. Paul Chan: 2000 Words
  6. Edith Heath: Philosophies
  7. Colin Campbell and Jon Davies: More Voice-Over: Colin Campbell Writings
  8. Mix & Stir: New Outlooks on Contemporary Art from Global Perspectives
  9. Simnikiwe Buhlungu, Alunamda Buhlungu, and El Colegio: Simnikiwe Buhlungu: besides Puleng; dontsa-ring and roving preoccupations
  10. James Lee Byars: The Perfect Kiss
  11. Arnaud Gerspacher: The Owls Are Not What They Seem: Artist as Ethologist
  12. Dan Graham and Josh Thorpe: Dan Graham, Pavilions: a guide
  13. Aime Iglesias Lukin: This Must Be the Place: An Oral History of Latin American Artists in New York, 1965-1975
  14. Eva Fotiadi and Eva Fotiadi: Exhibiting for Multiple Senses Art and Curating for Sensory-Diverse Bodies
  15. Adam Lauder: Out of School: Information Art and the Toronto School of Communication
  16. Jess Dobkin’s Wetrospective
  17. Peter Fischli and David Weiss: House
  18. Stan Douglas: Abbott & Cordova, 7 August 1971
  19. Vaginal Davis: Magnificent Product
  20. Mungo Thomson: Mail
  21. Gareth Long: Kidnappers Foil
  22. Roberto Cuoghi: Putiferio
  23. The Stars We Do Not See: Australian Indigenous Art
  24. Anne Turyn: Top Stories
  25. Dara Birnbaum: Note(s): Work(ing) Process(es) Re: Concerns (That Take On / Deal With)
  26. David Hlynsky: A Focusing Appliance
  27. Julia Bryan-Wilson, André Mesquita,  Leandro Muniz, Adriano Pedrosa, and Teo Teotônio: Queer Histories
  28. Yoko Ono: One Woman Show, 1960–1971
  29. Joar Nango, Taqralik Partridge, Jocelyn Piirainen, and Rafico Ruiz: Towards Home: Inuit & Sámi Placemaking
  30. Nathalie Zonnenberg: Conceptual Art in a Curatorial Perspective
  31. Tiziana La Melia: lettuce lettuce please go bad
  32. Yaniya Lee: Selected Writing on Black Canadian Art
  33. Linder: Danger Came Smiling
  34. Georgiana Uhlyarik  and Wanda Nanibush: Toronto: Tributes + Tributaries, 1971-1989
  35. Jeff Wall
  36. Leo Amino, Minoru Niizuma, and John Pai: The Unseen Professors
  37. WRITTEN ON THE WIND: Lawrence Weiner Drawings
  38. McKenzie Wark: Raving
  39. Gerald McMaster: Arctic/Amazon: Networks of Global Indigeneity
  40. Camal Pirbhai and Camille Turner: Wanted