Formats
Anthologies
101
Audio
305
Catalogues
353
Clothing
23
Editions
35
Ephemera
66
Literary
42
Monographs
156
Posters
257
Video
39
Zines
162

Shop > Artists' Books

Out of Stock
#05778

Scripting Reading Motions: The Codex and the Computer as Self-Reflexive Machines

Artist
Manuel Portela
Date
2013
Publisher
MIT Press
Format
Artists' Books
ISBN
9780262019460
Size
15.5 × 23.5 × 3 cm
Length
410 
Description

Hardcover with colour cover jacket, 96 b/w illustrations, English text.

In Scripting Reading Motions, Manuel Portela explores the expressive use of book forms and programmable media in experimental works of both print and electronic literature and finds a self-conscious play with the dynamics of reading and writing. Portela examines a series of print and digital works by Johanna Drucker, Mark Z. Danielewski, Rui Torres, Jim Andrews, and others, for the insights they yield about the semiotic and interpretive actions through which readers produce meaning when interacting with codes. Analyzing these works as embodiments and simulations of the motions of reading, Portela pays particular attention to the ways in which awareness of eye movements and haptic interactions in both print and electronic media feeds back onto the material and semantic layers of the works. These feedbacks, he argues, sustain self-reflexive loops that link the body of the reader to the embodied work. Readers’ haptic actions and eye movements coinstantiate the object that they are reading.

Portela discusses typographic and graphic marks as choreographic notations for reading movements; examines digital recreations of experimental print literary artifacts; considers reading motions in kinetic and generated texts; analyzes the relationship of bibliographic, linguistic, and narrative coding in Danielewski’s novel-poem, Only Revolutions; and describes emergent meanings in interactive textual instruments. The expressive use of print and programmable media, Portela shows, offers a powerful model of the semiotic, interpretive, and affective operations embodied in reading processes.

  1. Scripting Reading Motions: The Codex and the Computer as Self-Re
 

Related Items

  1. The Global Contemporary and the Rise of New Art Worlds
  2. The Appearance
  3. Maximilian Goldfarb: Remote Viewing
  4. Colm Lally and Sissu Tarka: PROOF-READING
  5. Alec Finlay: Bynames Handkerchief
  6. David Barridge: MAN AARG!

Poetry, Essay, Art Practice
  7. Francis Hunger: History Has Left the Building
  8. Chrysanne Stathacos: The Wish Machine Travels, 1995-2009
  9. Jonathan Ball: Ex Machina
  10. Mimi Paige (Miss General Idea): Colours of the Spectrum series
  11. Matthew Rana: The Theory of the Square
  12. The Fall at Indig02, Greenwich North, November 24th, 2011 / Reading “The Fall at Indig02, Greenwich North, November 24th“
  13. Jalal Toufic: Reading, Rewriting Poe’s “The Oval Portrait“
  14. Stephen Gill: Hackney Wick
  15. Nour Bishouty and Jacob Korczynski: 1—130: Selected works Ghassan Bishouty b. 1941 Safad, Palestine — d. 2004 Amman, Jordan.
  16. WDWDNNWW: OVERFLOW, ISSUE 4 OR 5
  17. Manuel Saiz: 101 Excuses
  18. Copy by Kueng-Caputo
  19. Jennifer Morton: Act 3: Constructed Serendipity
  20. Liz Knox: Excerpt
  21. Michael Snow: October 114
  22. October 145: Summer 2013
  23. OCTOBER 146 - Fall 2013
  24. OCTOBER 147 - Winter 2014
  25. Kodwo Eshun: Dan Graham: Rock My Religion
  26. October 148
  27. Anna Dezeuze: Thomas Hirschhorn: Deleuze Monument (Hardcover)
  28. October Magazine Issue 149
  29. October Magazine Issue 151
  30. October Magazine Issue 152