Shop > Artists' Books

Out of Stock
#05997

Snapshot Photography: The Lives of Images

Artist
Catherine Zuromskis
Date
2013
Publisher
MIT Press
Format
Artists' Books
ISBN
978-0262019293
Size
18.5 × 23.5 × 2.7 cm
Length
358 
Description

Snapshots capture everyday occasions. Taken by amateur photographers with simple point-and-shoot cameras, snapshots often commemorate something that is private and personal; yet they also reflect widely held cultural conventions. The poses may be formulaic, but a photograph of loved ones can evoke a deep affective response. In Snapshot Photography, Catherine Zuromskis examines the development of a form of visual expression that is both public and private.

Scholars of art and culture tend to discount snapshot photography; it is too ubiquitous, too unremarkable, too personal. Zuromskis argues for its significance. Snapshot photographers, she contends, are not so much creating spontaneous records of their lives as they are participating in a prescriptive cultural ritual. A snapshot is not only a record of interpersonal intimacy but also a means of linking private symbols of domestic harmony to public ideas of social conformity.

Through a series of case studies, Zuromskis explores the social life of snapshot photography in the United States in the latter half of the twentieth century. She examines the treatment of snapshot photography in the 2002 film One Hour Photo and in the television crime drama Law and Order: Special Victims Unit; the growing interest of collectors and museum curators in “vintage” snapshots; and the “snapshot aesthetic” of Andy Warhol and Nan Goldin. She finds that Warhol’s photographs of the Factory community and Goldin’s intense and intimate photographs of friends and family use the conventions of the snapshot to celebrate an alternate version of “family values.”

In today’s digital age, snapshot photography has become even more ubiquitous and ephemeral — and, significantly, more public. But buried within snapshot photography’s mythic construction, Zuromskis argues, is a site of democratic possibility.

(TouchedMarseille)

  1. Snapshot Photography: The Lives of Images
 

Related Items

  1. Richard Bolton: The Contest of Meaning: Critical Histories of Photography
  2. Thomas Filteau, Liz Ikiriko, Andy Maple, and Mallory Lowe Mpoka: Architecture of the Self: What Lives Within Us – Special Edition
  3. Thomas Filteau, Liz Ikiriko, Andy Maple, and Mallory Lowe Mpoka: Architecture of the Self: What Lives Within Us
  4. The Global Contemporary and the Rise of New Art Worlds
  5. Robin Nishio: Wailed
  6. Benjamin Freedman: Observations of Foreign Objects in a Remote Town
  7. Michael Snow: October 114
  8. Simon Haenni: Acoco
  9. Nic Wilson: A Landscape Photograph in the Land of the Dead
  10. Derek Sullivan: Lynn Valley 8
  11. William Mitchell: The Reconfigured Eye: Visual Truth in the Post-Photographic Era
  12. October Magazine Issue 151
  13. October Magazine Issue 152
  14. October Magazine Issue 153
  15. October Magazine Issue 149
  16. Notes from the Foundry
  17. Ryan Foerster
  18. October 148
  19. October 145: Summer 2013
  20. OCTOBER 146 - Fall 2013
  21. OCTOBER 147 - Winter 2014
  22. Karen Zalamea: They are lost as soon as they are made
  23. Zhang Dali: A Second HistoryLynn Valley 7
  24. Regina Cornwell and Michael Snow: Snow Seen, The Films and Photographs of Micheal Snow
  25. Ronin Furdyk: Twenty-Four Composers
  26. Society Suckers #12
  27. J. Parker Valentine: Fiction
  28. Marit Paasche: Lives & Videotapes
  29. Bernhard Cella: collecting books
  30.  Larissa Hjorth, Sarah Pink, Kristen Sharp, and Linda Williams: Screen Ecologies
  31. Galia Pasternak: Clips
  32. Sam Falls: Visible Libraries
  33. Je n’ai rien à dire. Seulement à montrer. / Ich habe nichts zu sagen. Nur zu zeigen. / I have nothing to say. Only to show. Natalie Czech. Spector Books.