*Issue 159
2022
Human/Nature
Bordernotes*
Sleepy Time with Henri Michaux
Meeka Walsh
Borderviews
The Art of Nature: Edward Burtynsky’s “Natural Order”
Bordercolumn
Weed Killer Into the Weeds: Dewayne “Lee” Johnson vs. Monsanto Company
directed and written by Jennifer Baichwal
Robert Enright
Picture Library
Changes of Focus: Janet Sternburg, Teju Cole, Mark Peckmezian, Charles Johnstone
Barry Schwabsky
Interviews
Nature’s Exuberance Uncentring the Anthropocentric
An Interview with Giovanni Aloi
Collecting Thoughts Mark Dion’s Celebratory Critique
bodies of work an interview with nichola feldman-kiss
Postcommodity Tells Time
an interview with Kade L Twist and Cristóbal Martínez
Articles
Art as Breath / Artist as Breather
Stephen Horne
Derek Liddington: “The trees weep…”
Rhiannon Vogl
Portfolios
Shadowland
Lorraine Simms
Barbara Steinman: Keeping Time
Zoë Tousignant
Essays
Nature and Normativity
Mark Kingwell
Jacques Louis David: Radical Draftsman
David Carrier
Crossovers
Buffy Sainte-Marie
Monika Vrečar
Cliff Eyland
Craig Love
Candice Breitz
Paul Carey-Kent
Tom Sachs
Dagmara Genda
Miriam Cahn
Jill Glessing
New Museum Triennial: ” Soft Water Hard Stone”
Benjamin Klein
“A Story in Three Parts”
Gary Pearson
Rashid Johnson
Amin Alsaden
Charlene Vickers and Faye HeavyShield
Robin Laurence
Alison Yip
Martin Pearce
Subjectivity of an Artist’s Object: A Participant’s View of Alvin Luong’s “Workers Dance”
Sanchari Sur
Thomas Hirschhorn
Teresa Retzer
“A Section of Now: Social Norms and Rituals as Sites for Architectural Intervention”
Tracy Valcourt
Nicholas Party
Cameron Skene
Susan Dobson
Rhiannon Vogl