With roots in continental, concrete and visual typewriter poetry and modernistic book art, Rinne explores (in a playful, tactile, and unruly manner) the sonorous and visual particle-constellations in the physical space of the book spread. In microscopic examinations of idioms and clichés, philosophical reflections and wordplay, by means of minimal language and typographical shifts, Rinne produces original mutations in a space where languages such as English, French, German, Italian constantly cross over in algorithmic processes, interweave, collide and are transmutated.