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Yishu Journal of Contemporary Chinese Art, Volume 13, Number 2 (March/ April 2014)

Date
2014
Format
Periodicals
Size
18 × 30 × 1 cm
Length
140 
Description

Volume 13, Number 2, March/April 2014

Inside this issue

Sites of Construction: Exhibitions and the Making of Recent Art History in Asia

by Hammad Nasar

8

The Expanding Field

by Irit Rogoff

12

Asian Biennials: History, Practices, and Literature

by John Clark

20

The Symphony of Histories, the Emancipation of People

by Gao Shiming

32

The Exhibition Site: Introduction

by Iftikhar Dadi

40

Exhibition-making, Canon-building, and the Ethics of Curating in Transcultural Contexts—subTerrain. Artworks in the Cityfold and Politics of Fun

by Annette Bhagwati

42

Ghar Pe: At Home in the Margins of Contemporary Art

by Atreyee Gupta

53

Polemical Position—In Search of a Subject

by Daniel Kurjakovic

62

The Exhibition As Cartographic Articulation: Introduction

by Joan Kee

70

Metaphor as Method: Curating Regionalism in Mainland Southeast Asia

by Pamela N. Corey

72

Converging Extremes: Exhibitions and Historical Sightlines in 1990s Malaysia

by Simon Soon

85

Polemical Position—Idealized Enclosures: Three Spatial Possibilities Around the Idea of the Exhibition

by Sophie Ernst

98

The Exhibition As Historical Proposition: Introduction

by Patrick D. Flores

103

Exhibiting Modern Asian Art in Southeast Asia

by Kevin Chua

105

Exhibitions and the City: To Accelerate or Pause? Two Case Studies

by Lucy Steeds

117

Polemical Position—Art’s Great Leap in Hong Kong and its Denial of the Local

by Lau Kin Wah

127

  1. Yishu Journal of Contemporary Chinese Art, Volume 13, Number 2 (
 

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