Shop > Artists' Books

Out of Stock
#12214

Introduction to Civil War

Date
2015
Publisher
Semiotext(e)
Format
Artists' Books
Size
4.5 × 7 in
Length
232 pages
Description

“Society no longer exists, at least in the sense of a differentiated whole. There is only a tangle of norms and mechanisms through which THEY hold together the scattered tatters of the global biopolitical fabric, through which THEY prevent its violent disintegration. Empire is the administrator of this desolation, the supreme manager of a process of listless implosion.”
—from Introduction to Civil War

Society is not in crisis, society is at an end. The things we used to take for granted have all been vaporized. Politics was one of these things, a Greek invention that condenses around an equation: to hold a position means to take sides, and to take sides means to unleash civil war. Civil war, position, sides — these were all one word in the Greek: stasis. If the history of the modern state in all its forms—absolute, liberal, welfare—has been the continuous attempt to ward off this stasis, the great novelty of contemporary imperial power is its embrace of civil war as a technique of governance and disorder as a means of maintaining control. Where the modern state was founded on the institution of the law and its constellation of divisions, exclusions, and repressions, imperial power has replaced them with a network of norms and apparatuses that conspire in the production of the biopolitical citizens of Empire.

In their first book available in English, Tiqqun explores the possibility of a new practice of communism, finding a foundation for an ontology of the common in the politics of friendship and the free play of forms-of-life. They see the ruins of society as the ideal setting for the construction of the community to come. In other words: the situation is excellent. Now is not the time to lose courage.

  1. Introduction to Civil War
 

Related Items

  1. Yevgenia Belorusets: In the Face of War: Ukraine 2022
  2. Schizo-Culture: The Event, The Book - Semiotext(e)
  3. Michael Snow: Scraps for the Soldiers
  4. Grace Lee Boggs: Living for Change
  5. The Global Contemporary and the Rise of New Art Worlds
  6. Keiichi Tanaami: No More War
  7. Chris Kraus and Eileen Myles: I Love Dick
  8. John Kelsey: Drowning Devourers of the Deep Plane
  9. Jennifer Doyle: Campus Security
  10. Jim Fletcher and Harry Mathews: Week One
  11. Nicole Brenez: “We Support Everything since the Dawn of Time That Has Struggled and Still Struggles”:  Introduction to Lettrist Cinema
  12. Bill Burns: Three Books and an Audio CD About Plants and Animals and War
  13. Chris Dorley-Brown: The Longest Way Round
  14. Alex Durlak: A Report/Un Rapport
  15. Carl David Rutton: Global Strategy
  16. Colin Snapp: Syndey Jonas Walk
  17. Prospekt 80/2: Canada
  18. Janice Gurney: Moveable Wounds
  19. Sarah Browne: A Model Society, Patterns & Thoughts
  20. Danielle LaFrance: Friendly + Fire
  21. Richard Prince: Menthol Pictures Proof Edition
  22. Michael Stevenson: This Is The Trekka
  23. Susanna Browne: Country War Songs
  24. Roman Vasseur: Mass For Real Estate
  25. Waldemar Cordeiro and Franz Mon: Waldemar Cordeiro & Franz Mon
  26. Kodwo Eshun: Dan Graham: Rock My Religion
  27. Anna Dezeuze: Thomas Hirschhorn: Deleuze Monument (Hardcover)
  28. Holy Shit: Solid Rain
  29. Robert Fones: Head Paintings
  30. Michael Dudeck : Parthenogenesis
  31. G.M. Tamás: Innocent Power
  32. Neil M. Hennessy, Ian Hooper, Jason Le Heup, and Prize Budget for Boys: The Prize Budget for Boys Present : The Spectacular Vernacular Revue
  33. Out
  34. Sarah Browne: How to Use Fool’s Gold
  35. Angela Bulloch: Source Book 10
  36. Bernhard Cella: collecting books