Prefix Photo Issue 33
Spring/Summer 2016
Performing Labour
Editorial
Performing Labour
by Jayne Wilkinson
Essays
Jack of All Trades: The Representation of Labour in the Work of Rodney Graham
by Scott McLeod
Living, Working, Performing: The Art and Activism of Condé and Beverage
by Erin Silver and Sarah E.K. Smith
The Camera in the Cypher: Martha Cooper’s Early Photographs
by Vanessa Fleet
Literary Feature
Item No. A 11-147: Section Group, Section 2, Platoon 1, 1915
by Michael Crummey
Portfolios
Order and Process: Burden
by Rouzbeh Akhbari and Felix Kalmenson
50 Blue
by Oded Hirsch
Selected works
by Rodney Graham
NoNoseKnows
by Mika Rottenberg
Selected works
by Carole Condé and Karl Beveridge
Ships
by Danny Custodio
Selected works
by Martha Cooper
Los Encargados
by Santiago Sierra and Jorge Galindo
Book Reviews
Mobile Autonomy: Exercises in Artists’ Self-Organization
Edited by Nico Dockx and Pascal Gielen
Reviewed by Michael DiRisio
Walker Evans: Labor Anonymous
Edited by Thomas Zander, with texts by David Campany, Jerry Thompson and Heinz Liesbrock
Reviewed by Amanda Rataj
Carrie Mae Weems: Kitchen Table Series
With texts by Sarah Lewis and Adrienne Edwards
Reviewed by Andrea Fatona
John Porter’s CineScenes: Documentary Portaits of Alternative Film Scenes, Toronto and Beyond, 1978–2015
Edited by Clint Enns
Reviewed by Rosemary Donegan
Additional Features
Profile
Newsbriefs
Contributors
Epilogue