In 1806, the British sea admiral Sir Francis Beaufort invented the Beaufort Scale of Wind Force as an index of thirteen levels measuring the effects of wind force. It was first used for the practical navigation of nineteenth-century ocean space; through a system of observation, wind speed was measured by observing how it composes at sea (for example, waves are formed) and decomposes on land (for example, leaves are blown from trees, chimney pots lifted, houses are destroyed).
Across a variegated set of curatorial and editorial instantiations developed by Christine Shaw in 2018/19, the Beaufort Scale of Wind Force becomes a diagram of prediction and premonition in the context of accelerating planetary extinction. The Work of Wind: Air, Land, Sea appropriates the Beaufort Scale of Wind Force as a readymade index for curating a site-specific exhibition in the Southdown industrial area of Mississauga, Ontario, Canada, and a publication divided into three conjoining volumes published by K. Verlag. The project is extended by the Society for the Diffusion of Useful Knowledge, a public program and broadsheet series.
While the title of the project series might suggest a weather project, it is not about wind but of wind, of the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, politics of sustainability, climate justice, and resilience.
The Work of Wind: Land_ features contributions by d’bi.young anitafrika, Amy Balkin, Jesse Birch, D.T. Cochrane, Revital Cohen & Tuur Van Balen, Anna Feigenbaum, Macarena Gómez-Barris, Ilana Halperin, Tom Keefer, Barbara Marcel, Mimi Onuoha, Pejvak (Rouzbeh Akhbari & Felix Kalmenson), Tomás Saraceno, Christine Shaw, Juliana Spahr, Adrienne Telford, Etienne Turpin, Allen S. Weiss, Tania Willard, and Eva Wilson.
Hardcover, thread-bound, colour.