Shop > Catalogues

#06364

Food for Thought

Artist
Ian Baxter
Price
$25.00
Publisher
Banff Centre
Format
Catalogues
Size
21 × 21 × 0.1 cm
Description

Fold-out catalogue for the exhibition FOOD FOR THOUGHT. Black and white photographs, English text.

An exhibition catalogue from Ian Baxter’s solo show FOOD FOR THOUGHT at the Walter Phillips Gallery June 19 – July 19, 1987. Includes an exhibition essay by Helga Pakasaar.

  1. Food for Thought
 

Related Items

  1. Ian Hamilton Finlay: Knitting was a reserved occupation (set of 2)
  2. Ian Hamilton Finlay: Poster for “Bicentennial Proposal: The French War: The War of the Letter“
  3. Liam Gillick
  4. Group Exhibition Poster
  5. Ian Carr-Harris: Mouvance
  6. Jenny Holzer: AM Catalogue no.13, 1989
  7. AA Bronson, Peggy Gale, Maurizio Nannucci, Michael Snow, and Lawrence Weiner: Snow, Weiner, Nannucci
  8. Artists’ Books, revisited
  9. Art & Language
  10. Kyle Buckley and Brian Groombridge: Brian Groombridge
  11. Claire Christie and Douglas Stone: Douglas Stone
  12. Andrew James Paterson: Never Enough Night
  13. Ian Carr-Harris and Yvonne Lammerich: Voices: artists on art
  14. Maïder Fortuné, Annie MacDonell, Crystal Mowry, Kimberly Phillips, Clara Schulmann, Leila Timmins, and Yan Wu: The Beyond Within
  15. AA Bronson, Richard Prince, and Lawrence Weiner: Learn to Read Art
  16. Askevold Dube Ferguson Jarden Kelly McNamara Murray Robertson Waterman Young Zuck
  17. Young Scandinavian Artists
  18. Art School {dismissed}
  19. Sarah E. K. Smith , Jan Allen, and Kirsty Robertson: Sorting Daemons: Art, Surveillance Regimes and Social Control
  20. Maurizio Nannucci: Top Hundred
  21. David Askevold and Christina Ritchie: Activating the Archive 4: Double Agent
  22. Colin Campbell and Bruce ed. Ferguson: Activating the Archive 2: Otherwise Worldly
  23. Greg Curnoe: Blue Book no. 8
  24. AA Bronson and Hamish Fulton: Ajawaan
  25. Jean Gagnon: Pornography in the Urban World
  26. Janice Gurney: Moveable Wounds
  27. John Orentlicher and Lisa Steele: Activating the Archive 3: Finding the DIFFEREN(t)CE