*Issue 158
January 2022
The Body
Table of Contents*
Bordernotes
Writing, Being Here and There
Michael Leiris, Jenny Erpenbeck
Meeka Walsh
Picture Library
Bodies and the How of Seeing
The Photographs of Hester Scheurwater and Lina Scheynius by Barry Schwabsky
Barry Schwabsky
Bordercolumn
Bad Luck Banging, Great Luck Filming
Bad Luck Banging or Loony Porn, directed by Radu Jude
Robert Enright
Interviews
Figures and Faces
The Phrenological Time Machines of Steven Shearer
Found Everything
An Interview with Lynn Hershman Leeson
The Wholly Trinity
Self, Body and Landscape: An Interview with Zachari Logan
A Certain Kind of Animal Energy
Leon Golub Talks about Drawing
*Portfolios
On Jon Pylypchuk’s Ghosts
“To our towering friendship / I’ve raised this little stone”
Andrew Berardini
Bring Your Own Body, “Legend of the Trans”
The Photographic Self Portraits of Vivek Shraya
Wayne Baerwaldt
Articles
Still Life: Max Dean’s Forceful Imminence
Ann Thomas
Essays
Paul Klee’s Angelus Novus
David Carrier
Mourning Song, Morning Singer – Painting, Writing, Motherhood
Journal
Body and Architecture
Carlos Rueda
Fiction
Earth with Fragment of The Artist
Canisia Lubrin
Crossovers
Mary Shannon Will
Nancy Tousley
“Picasso: Painting the Blue Period”
Daniel Baird
Ben Woolfitt
Ken Carpenter
“The Infernal Grove”
Ray Cronin
Katie Lyle
Tatum Dooley
Patrick Dunford
Jim Ellis
“Greater Toronto Art 2021”
Jill Glessing
“Kline & Kolakis”
Stephen Horne
Randall Anderson
Edwin Janzen
William Kentridge
Robin Laurence
Outdoor School: Contemporary Environmental Art
Didier Morelli
Bonavista Biennial
Jennifer McVeigh
“Holding a line in your hand”
Gary Pearson
“A Pea Can Be Chopped Up and Reassembled Into The Sun”
Nic Wilson