Shop > Artists' Books

Out of Stock
#11488

Interplay: Neo-Geo Neoconceptual Art of the 1980s

Date
2014
Publisher
MIT Press
Format
Artists' Books
Genre
Criticism, Art History
Description

Emerging from New York’s East Village art scene of the 1980s, the so-called neo-geo artists were a loosely associated group that included the painters Ashley Bickerton, Peter Halley, Sherrie Levine, Allan McCollum, Philip Taaffe, and Meyer Vaisman and the sculptors Jeff Koons and Haim Steinbach. Labeled neo-geo for the abstract geometric motifs that characterized only some of their work, the movement was also known variously as simulationism, neoconceptualism, neo-pop, neominimalism, and postabstraction. In this, the first in-depth study of the group, Amy Brandt argues that neoconceptualism is the most precise name for their work. Brandt sees it as an art about art history, characterized by ironic adaptations of past artistic movements and styles, a tendency toward visual interplay, and a theoretical impulse driven by postmodern concerns with intertextuality, deconstruction, and poststructuralism.

Brandt investigates the East Village art scene of the 1980s and argues that the neoconceptualists’ theoretical orientation distinguished them from other artists of the era. She traces the divergence in art critics’ responses to the group’s work and charts their market success. Brandt examines in detail the references to art history found in the work; she explores the group’s formal connections to pop, minimalism, and conceptualism; and she investigates the relationships between the neoconceptual artists and another loosely connected group of artists, the Pictures generation.

  1. Interplay
 

Related Items

  1. The Global Contemporary and the Rise of New Art Worlds
  2. Vito Acconci, lynda benglis, Louise Bourgeois, Gerard Byrne, George Chakravarthi, Judy Chicago, vaginal davis, Wim Delvoye, Elmgreen & Dragset, VALIE EXPORT, Guillermo Gomez-Pena, Felix Gonzalez-Torres, harmony hammond, claudette johnson, Mary Kelly, Yayoi Kusama, and Robert: Sexuality
  3. REARVIEWS VOLUME IV
  4. To Spoil the Party, To Set Our Joy Ablaze
  5. Andrea Fraser: 2016 in Museums, Money, and Politics
  6. Martha Rosler: Culture Class
  7. Shumon Basar, Douglas Coupland, and Hans Ulrich Obrist: Age of Earthquakes
  8. Judy Radul: This Is Television
  9. Dodie Bellamy, Nayland Blake, Cecilia Corrigan, Amy De’Ath, Lynne Tillman, and Jackie Wang: SAY BYE TO REASON AND HI TO EVERYTHING
  10. Amy Kazymerchryk and Martine Syms: Borrowed Lady: Martine Syms
  11. Michael Snow: October 114
  12. October 145: Summer 2013
  13. OCTOBER 146 - Fall 2013
  14. Bruce Hainley and Elaine Sturtevant: Under the Sign of [ sic]: Sturtevant’s Volte-Face
  15. OCTOBER 146 - Winter 2014
  16. Anne Rorimer: Michael Asher: Kunsthalle Bern
  17. Kodwo Eshun: Dan Graham: Rock My Religion
  18. October 148
  19. Anna Dezeuze: Thomas Hirschhorn: Deleuze Monument
  20. October Magazine Issue 149
  21. October Magazine Issue 151
  22. October Magazine
  23. October Magazine Issue 153
  24. Preliminary Materials for a Theory of the Young-Girl
  25. NSK from Kapital to Capital
  26. October Magazine Issue 154
  27. The Future of the New: Artistic Innovation in Times of Social Acceleration
  28. Amanda Boetzkes: Plastic Capitalism
  29. Jonas Staal: Propaganda Art in the 21st Century
  30. Lines Breaking
  31. Sarah Pierce: Sketches of Universal History Compiled from Several Authors
  32. NDP #4
  33. Amy Wilson: Carpets of Las Vegas 2000
  34. Chris Boni, Sebastian Frye, Amy Funk, and Alexandra MacKenzie: Hers
  35. Consumption Junction
  36. Chrysanne Stathacos: The Wish Machine Travels, 1995-2009
  37. The Yes Men Activity Book (Keep it Slick)
  38. Incredisensual Panty Raid Laff Along, Ladies Invitational Deadbeat Society (no just jacket)
  39. Saul Anton and Lee Friedlander: Lee Friedlander: The Little Screens
  40. Thomas Mailaender: The Night Climbers of Cambridge